trade



Ben Woodeson

Violations #10 and #15

4th September - 19th September 2010

benwoodeson

Mark Essen

Eternal Atlas

2nd October - 16th October 2010

Eternal Atlas

Joseph Beuys

I like America and America likes me

22nd October - 18th December


Beuys

ROTTERDAM VHS FESTIVAL

Screening 7pm - 13th November

Exhibition 14th - 17th November
11am - 6pm


vhs


Karin Kihlberg and Reuben Henry

7th May 2011 - 4th June 2011


Karin and Reuben


Previous Exhibitions

Oliver Sutherland
Nothing for Chroma Key

Jemma Egan
Swiss Dogs

Tomas Chaffe
Sometimes Artists Work Here

Abigail Reynolds
Mount Fear

Sarah Doyle
Jackson, Maddonna, Prince

Phillip Henderson
Time Machine Lecture #7

Artur Zmijewski
'Them'



Parasitical Events

The Art Strike 1990-1993

Trade Gallery presents a screening and discussion of Paula Roush's (MSDM) 'Art Strike 1990-1993'...


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Elements Master of Arts Programme

Research for Elements, Master of Arts Programme has begun. More information to follow.



This is Not A Circular

Artist Interviews

trade

Reactor

In Podcast #13 of This is Not a Circular - Stuart Tait, Niki Russell and Dan Williamson from Reactor discuss collaborative working, in-jokes and immersive social worlds.

Recorded on 24th June 2010 in Nottingham, UK

Duration 1"06"15


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trade

Endless Supply #10

- Guest curated by Trade

Including work by, Butje (Berndnaut Smilde, Vincent Bruijn and Jeroen Brouwer) Russell Herron, Brian Kennon, Alexander Stevenson, Heidi Vogels and Richard Paul.

The magazine was launched at The Reading Room to coincide with the opening of Trade Gallery.
Downloadable PDF available here


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Texts

BUG VAR GUM

A review of Mark Pearson's exhibition at Moot

"the works are not phlegmatic, but buzzy and entertaining; kitsch Bavarian steins hang uncomfortably on hooks that are too small, a kind of ideal sculpture for Pearson: oversized, eccentric, and playfully referential; literally and metaphorically unstable...."

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Logic and Process

A brief synopsis of the work of Tom Godfrey

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An Almost Silent Room

Reflections on Lisa Cheung's performance at the Chinese Art Centre

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